This essay looks at George Mackay Brown's novel of 1992, Vinland, in the context of nineteenth- and twentieth-century “foundation myth” literature inspired by the Viking discovery of North America as originally recounted in medieval Icelandic sagas. This body of writing ranges from the New England “Fireside Poets” to Ottilie Liljencrantz's Vinland trilogy (1902–1906) to Nevil Shute's An Old Captivity (1940). The overarching aim will be to assess Mackay Brown's Orcadian perspective on Vínland in the context of what can broadly be regarded as a literature of colonialism; that is to say, a literature that explores the unequal relationships and value differences between the colonizers and the indigenous population.
You have requested a machine translation of selected content from our databases. This functionality is provided solely for your convenience and is in no way intended to replace human translation. Neither BioOne nor the owners and publishers of the content make, and they explicitly disclaim, any express or implied representations or warranties of any kind, including, without limitation, representations and warranties as to the functionality of the translation feature or the accuracy or completeness of the translations.
Translations are not retained in our system. Your use of this feature and the translations is subject to all use restrictions contained in the Terms and Conditions of Use of the BioOne website.
Vol. 2013 • No. sp4