This paper brings together emergent conversations in the disciplines of ethnobiology, anthropology, and ethnomusicology to examine the role of song in human-animal relationships in the context of the Tr'ondëk Hwëch'in First Nation in and around Dawson City, Yukon, Canada. Song has always been a critical tool in Tr'ondëk Hwëch'in human-animal interactions, as a powerful means of communicating with or about animals, who are understood to be non-human persons. This paper argues that the particular sentimental and communicative natures of song are mobilized as a means to promote, reinforce, and embody a certain set of relational values in the biocultural lifeways of Tr'ondëk Hwëch'in citizens. Recently Tr'ondëk Hwëch'in are turning to song as a means of negotiating the effects of global climate change, particularly as these critical relationships become more tenuous and unpredictable.
How to translate text using browser tools
19 September 2019
The Relational Nature of Song in Musical Human-Animal Interactions in Tr'ondëk Hwëch'in Traditional Territory, Yukon
Tamara Ranspot
ACCESS THE FULL ARTICLE
It is not available for individual sale.
This article is only available to subscribers.
It is not available for individual sale.
It is not available for individual sale.
<
Previous Article
|
Journal of Ethnobiology
Vol. 39 • No. 3
September 2019
Vol. 39 • No. 3
September 2019
environmental change
human-animal interactions
relationality
song
Tr'ondëk Hwëch'in