John V. Calhoun
The Journal of the Lepidopterists' Society 67 (2), 73-110, (1 June 2013) https://doi.org/10.18473/lepi.v67i2.a1
KEYWORDS: lithography, chromolithography, Mary Peart, publication, stereotype
The creation of the book The Butterflies of North America by William H. Edwards is traced in detail. Much new information is presented, derived mostly from Edwards' extensive correspondence. It was issued from 1868 to 1897 in three series (volumes) of 42 separate parts. The first volume was published by the American Entomological Society, while the second and third volumes were published by Houghton, Mifflin & Company under several different names. The 152 hand-colored lithographic plates were drawn by five artists: Shelly W. Denton, Edward A. Ketterer, Mary Peart, Daniel Wiest, and an unidentified artist under the supervision of John Cassin. Most of the resulting prints were colored by sisters Lavinia (Lydia) Bowen and Patience D. Leslie, though many additional colorists were involved. Four plates were replaced after publication; the originals and their replacements are figured together for the first time. The first volume included a synopsis of species, which Edwards intended to revise in the second volume, but abandoned in favor of a simple list of taxa. Severe monetary constraints forced Edwards to sell his butterfly collection to help finance the third volume. Complete copies of the first and second volumes were assembled and sold for many years. Revised citations are proposed for each volume and their associated publications. New biographical information about Mary Peart is provided, including her portrait.